Art + Activism Reading List

Artists in the Workforce. NEA Research Report #48. 2008.

Americans for the Arts. 2007. Arts and economic prosperity III: The economic impact of nonprofit arts and culture organizations and their audiences. Washington DC: Americans for the Arts.

 Becker, Howard Saul. Art Worlds. Berkeley: University of California, 1982.

Bhagat, Rabi S. Review: The Rise of the Creative Class. Administrative Science Quarterly, Vol. 49, No. 2 (Jun., 2004), pp. 321-325

Blau, Judith R. The Shape of Culture: A Study of Contemporary Cultural Patterns in the United States. Cambridge: Cambridge UP, 1989. 

Bunch, Lonnie G. Call the Lost Dream Back: Essays on History, Race and Museums. Washington, DC: AAM, 2010.

Center for an Urban Future. 2002. The Creative Engine: How Arts & Culture is Fueling Economic Growth in New York City Neighborhoods. New York: Center for an Urban Future.

Center for an Urban Future. 2010. Time to be Creative. New York: Center for an Urban Future.

Charles, Bagli V. “Metlife Plans a Return to Midtown for Queens.” New York Times 14 Sept. 2006. 

Corbitt, J. Nathan., and Vivian Nix-Early. Taking It to the Streets: Using the Arts to Transform Your Community. Grand Rapids, MI: Baker, 2003.  

 Currid, Elizabeth. The Warhol Economy. New Jersey: Princeton University Press, 2007.

Doug Ashford, Julie Ault, Group Material: AIDS Timeline : [dOCUMENTA (13), 9/6/2012-16/9/2012]. Ostfildern: Hatje Cantz, 2011. 

 Finkelpearl, Tom. Dialogues in Public Art. Cambridge, MA: MIT, 2000.

Finn, Robin. “Writing’s on the Wall (Art Is, Too, for Now).” New York Times. 27 Aug. 2011. Web. 8 Dec. 2011. <http://www.nytimes.com/2011/08/28/nyregion/5pointz-arts-center-and-its-graffiti-is-on-borrowed-time.html?pagewanted=all>.

Florida, Richard. The Economic Geography of Talent. Annals of the Association of American Geographers, Vol.92, No.4. 2002a. pp 743-755.

Florida, Richard. 2002b. The rise of the creative class: And how it’s transforming work, leisure, community and everyday life. New York: Perseus Books.

Freire, Paulo. Pedagogy of the Oppressed. New York: Continuum, 2000. 

Goldbard, Arlene, and Don Adams. New Creative Community: The Art of Cultural Development. Oakland, CA: New Village, 2006. 

Goldstein, Barbara. Public Art by the Book. Seattle: Americans for the Arts in Association with University of Washington, 2005. 

Gran Fury. Gran Fury: Read My Lips. Comp. Michael Cohen. New York: 80WSE, 2011 

Graves, James Bau. Cultural Democracy. Urbana: University of Illinois, 2005.

Guinier, Lani, and Gerald Torres. The Miner’s Canary: Enlisting Race, Resisting Power, Transforming Democracy. Cambridge, MA: Harvard UP, 2002. 

Jacobs, Jane. The Death and Life of Great American Cities. New York: Random House, 1961.

Jayaraman, Sarumathi, and Immanuel Ness. The New Urban Immigrant Workforce: Innovative Models for Labor Organizing. Armonk, NY: M.E. Sharpe, 2005. 

Kalman, Tibor, Peter Hall, and Michael Bierut. Tibor Kalman, Perverse Optimist. New York, NY: Princeton Architectural, 1998.

Khatchadourian, Raffi. “In the Picture.” The New Yorker 28 Nov. 2011.  

Knight, Cher Krause. Public Art : Theory, Practice and Populism. Malden, MA: Blackwell, 2008. 

Korza, Pam, Maren Brown, and Craig Dreeszen. Fundamentals of Arts Management. Amherst: Arts Extension Service, University of Massachusetts, Amherst, 2007.  

Kwon, Miwon. One Place after Another: Site-specific Art and Locational Identity. Cambridge, MA: MIT, 2002.

Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle, WA: Bay, 1995. 

Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon, 1990. 

Markusen, Ann. “Artists and the Arts as Economic Development.” Lecture Series; “Regional and Economic Development: Current Issues.” Michigan University. (2005). 

 “Creative Placemaking.” Washington D.C., National Endowment for the Arts in partnership with the United States Conference of Mayors and American Architectural Foundation. 2010.

 Sam Gilmore et al. How Artists Build Careers Across Commercial, Non-profit, and community work. Minneapolis, MN: University of Minnesota. 2006a.

 Amanda Johnson, et alArtists’ Centers: Evolution and impact on careers, neighborhoods and economies. Minneapolis, MN: University of Minnesota. 2006b.

Mastering Civic Engagement: a Challenge to Museums. Washington, DC: American Association of Museums, 2002.

Naidus, Beverly. Arts for Change: Teaching outside the Frame. Oakland, CA: New Village, 2009 

Noonan, Douglas. 2004. Valuing Arts and Culture: A Research Agenda for Contingent Valuation. Journal of Arts Management, Law, and Society. pp.205-221 

Pasternak, Anne. Creative Time: The Book. New York: Papress, 2007.

Pasternak, Anne, and Doug Ashford. Who Cares. New York: Creativetime, 2006.

Pedestrian Facilities Guidebook. Washington DOT. September 1997.

Port Authority of New York and New Jersey. 1983. The arts as an industry: Their economic importance to the New York-New Jersey metropolitan region. New York: PANYNJ.

Porter, Michael E. 1998. Clusters and the new economics of competition. Harvard Business Review (Nov/Dec).

Schattschneider E.E. Realists View of Democracy in America

Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. New Haven: Yale UP, 1990.

Senie, Harriet, and Sally Webster. Critical Issues in Public Art: Content, Context, and Controversy. New York: IconEditions, 1992.

Selz, Peter Howard, and Susan Landauer. Art of Engagement: Visual Politics in California and beyond. Berkeley: University of California, 2006. 

Simon, Nina. The Participatory Museum. Santa Cruz, CA: Museum 2.0, 2010.

 Stern, Mark. Seifert, Susan. 2008. From Creative Economy to Creative Society. SIAP

Stewart, Jack, and Regina Stewart. Graffiti Kings: New York City Mass Transit Art of the 1970s. New York: Melcher Media/Abrams, 2009.

Wolff, Edward N. Review: The Warhol Economy. Journal of Economic Literature. Vol. 46 No. No. 4 (Dec., 2008), pp. 1039-1041

Artists in the Workforce. NEA Research Report #48. 2008

 Americans for the Arts. 2007. Arts and economic prosperity III: The economic impact of nonprofit arts and culture organizations and their audiences. Washington DC: Americans for the Arts.

 Becker, Howard Saul. Art Worlds. Berkeley: University of California, 1982.

Bhagat, Rabi S. Review: The Rise of the Creative Class. Administrative Science Quarterly, Vol. 49, No. 2 (Jun., 2004), pp. 321-325

Blau, Judith R. The Shape of Culture: A Study of Contemporary Cultural Patterns in the United States. Cambridge: Cambridge UP, 1989. 

Bunch, Lonnie G. Call the Lost Dream Back: Essays on History, Race and Museums. Washington, DC: AAM, 2010.

Center for an Urban Future. 2002. The Creative Engine: How Arts & Culture is Fueling Economic Growth in New York City Neighborhoods. New York: Center for an Urban Future.

Center for an Urban Future. 2010. Time to be Creative. New York: Center for an Urban Future.

Charles, Bagli V. “Metlife Plans a Return to Midtown for Queens.” New York Times 14 Sept. 2006. 

Corbitt, J. Nathan., and Vivian Nix-Early. Taking It to the Streets: Using the Arts to Transform Your Community. Grand Rapids, MI: Baker, 2003.  

 Currid, Elizabeth. The Warhol Economy. New Jersey: Princeton University Press, 2007.

Doug Ashford, Julie Ault, Group Material: AIDS Timeline : [dOCUMENTA (13), 9/6/2012-16/9/2012]. Ostfildern: Hatje Cantz, 2011. 

 Finkelpearl, Tom. Dialogues in Public Art. Cambridge, MA: MIT, 2000.

Finn, Robin. “Writing’s on the Wall (Art Is, Too, for Now).” New York Times. 27 Aug. 2011. Web. 8 Dec. 2011. <http://www.nytimes.com/2011/08/28/nyregion/5pointz-arts-center-and-its-graffiti-is-on-borrowed-time.html?pagewanted=all>.

Florida, Richard. The Economic Geography of Talent. Annals of the Association of American Geographers, Vol.92, No.4. 2002a. pp 743-755.

Florida, Richard. 2002b. The rise of the creative class: And how it’s transforming work, leisure, community and everyday life. New York: Perseus Books.

Freire, Paulo. Pedagogy of the Oppressed. New York: Continuum, 2000. 

Goldbard, Arlene, and Don Adams. New Creative Community: The Art of Cultural Development. Oakland, CA: New Village, 2006. 

Goldstein, Barbara. Public Art by the Book. Seattle: Americans for the Arts in Association with University of Washington, 2005. 

Gran Fury. Gran Fury: Read My Lips. Comp. Michael Cohen. New York: 80WSE, 2011 

Graves, James Bau. Cultural Democracy. Urbana: University of Illinois, 2005.

Guinier, Lani, and Gerald Torres. The Miner’s Canary: Enlisting Race, Resisting Power, Transforming Democracy. Cambridge, MA: Harvard UP, 2002. 

Jacobs, Jane. The Death and Life of Great American Cities. New York: Random House, 1961.

Jayaraman, Sarumathi, and Immanuel Ness. The New Urban Immigrant Workforce: Innovative Models for Labor Organizing. Armonk, NY: M.E. Sharpe, 2005. 

Kalman, Tibor, Peter Hall, and Michael Bierut. Tibor Kalman, Perverse Optimist. New York, NY: Princeton Architectural, 1998.

Khatchadourian, Raffi. “In the Picture.” The New Yorker 28 Nov. 2011.  

Knight, Cher Krause. Public Art : Theory, Practice and Populism. Malden, MA: Blackwell, 2008. 

Korza, Pam, Maren Brown, and Craig Dreeszen. Fundamentals of Arts Management. Amherst: Arts Extension Service, University of Massachusetts, Amherst, 2007.  

Kwon, Miwon. One Place after Another: Site-specific Art and Locational Identity. Cambridge, MA: MIT, 2002.

Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle, WA: Bay, 1995. 

Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon, 1990. 

Markusen, Ann. “Artists and the Arts as Economic Development.” Lecture Series; “Regional and Economic Development: Current Issues.” Michigan University. (2005). 

 “Creative Placemaking.” Washington D.C., National Endowment for the Arts in partnership with the United States Conference of Mayors and American Architectural Foundation. 2010.

 Sam Gilmore et al. How Artists Build Careers Across Commercial, Non-profit, and community work. Minneapolis, MN: University of Minnesota. 2006a.

 Amanda Johnson, et alArtists’ Centers: Evolution and impact on careers, neighborhoods and economies. Minneapolis, MN: University of Minnesota. 2006b.

Mastering Civic Engagement: a Challenge to Museums. Washington, DC: American Association of Museums, 2002.

Naidus, Beverly. Arts for Change: Teaching outside the Frame. Oakland, CA: New Village, 2009 

Noonan, Douglas. 2004. Valuing Arts and Culture: A Research Agenda for Contingent Valuation. Journal of Arts Management, Law, and Society. pp.205-221 

Pasternak, Anne. Creative Time: The Book. New York: Papress, 2007.

Pasternak, Anne, and Doug Ashford. Who Cares. New York: Creativetime, 2006.

Pedestrian Facilities Guidebook. Washington DOT. September 1997.

Port Authority of New York and New Jersey. 1983. The arts as an industry: Their economic importance to the New York-New Jersey metropolitan region. New York: PANYNJ.

Porter, Michael E. 1998. Clusters and the new economics of competition. Harvard Business Review (Nov/Dec).

Schattschneider E.E. Realists View of Democracy in America

Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. New Haven: Yale UP, 1990.

Senie, Harriet, and Sally Webster. Critical Issues in Public Art: Content, Context, and Controversy. New York: IconEditions, 1992.

Selz, Peter Howard, and Susan Landauer. Art of Engagement: Visual Politics in California and beyond. Berkeley: University of California, 2006. 

Simon, Nina. The Participatory Museum. Santa Cruz, CA: Museum 2.0, 2010.

 Stern, Mark. Seifert, Susan. 2008. From Creative Economy to Creative Society. SIAP

Stewart, Jack, and Regina Stewart. Graffiti Kings: New York City Mass Transit Art of the 1970s. New York: Melcher Media/Abrams, 2009.

Wolff, Edward N. Review: The Warhol Economy. Journal of Economic Literature. Vol. 46 No. No. 4 (Dec., 2008), pp. 1039-1041